Kyle Hall
Kyle Hall
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Hall's first break as a producer came at age 16, when he was approached by Deep House luminary Omar-S, whose FXHE label released his debut record and introduced his music to a wider audience for the first time. Despite being rooted in the lineage of Detroit Deep House, Hall's productions look resolutely forward and refuse to be constrained by the established formulas of the genre. This versatility has been showcased on Hall's own Wild Oats imprint, launched in 2008. His releases on the label not only demonstrated his mastery of Deep House song forms, but also proved his ability to move seamlessly into other genres, such as soulful Hip-Hop and futuristic Electro. No matter what style of music Hall tries his hand at, he always leaves his own singular imprint. Hall's releases on Wild Oats have met with wide critical acclaim and placed him squarely on the radar of those interested in the future of electronic music. Indeed, Hall caught the attention of vanguard UK label Hyperdub, which commissioned him for a remix of Darkstar's juggernaut anthem Aidy's Girl is a Computer, one of 2009's best-reviewed releases. His first release on Hyperdub, Kaychunk / You Know What I Feel EP was received by the Dubstep community and beyond with awe. His most recent reworking of Dennis Ferrer's The Red Room single for Objektivity shows Hall's versatility as a producer reaching all corners of the electronic music market. With releases on labels as diverse as Warp, Clone Records, Hypercolour and Objektivity it is clear that Hall is not simply a Detroit hometown hero, but an internationally renowned producer with a bright future ahead of him. Moreover, Hall is also in demand for his prowess behind the decks, and has graced the decks of at world-class clubs and events including Fabric (London), Panorama Bar (Berlin), Circo Loco @ DC 10 (Ibiza), Warehouse Project (Manchester), Tenax (Florence) and Melkweg (Amsterdam).